“I’m singing at Minard tonight”
“Woh” is often the spoken or unspoken response. “You are?”
The person is suitably impressed, with an image like this in their mind:

The Minard concert hall in Gent
Their praise dampens some when I admit that I’m actually singing in the café attached to the concert hall. Still a lovely space … but much smaller.

I love the oval bar in the centre of the room, and the chandelier. I love walking up onstage and letting the sounds come.
Last night I sang “The Snows of New York”, with lines such as …
You have always been such a good friend to me
Through the thunder and the rain
And when you’re feeling lost in the snows of New York
Lift your heart and think of me
When I think of Minard yesterday, I’m proud of two things:
1. There’s a chorus, and I told the audience that I’d teach them the words. Voilà:
Lah, lah, lah, lah, lah, lah …
People laughed.
2. My two biggest challenges in singing are remembering the first line and remembering the first note. The second provided me with a moment of revelation last night.
If my first note is too high, I won’t be able to hit later notes that are a lot higher. Too low, and the really deep notes later will be beyond me.
So … the revelation:
I sang the first two notes and something in my unconscious brain said No! No analysis, just an urge to stop. In my mind, I went up a whole tone and let the first line spill out …
I can see you now by the light of the dawn
And all was well
I sang well, and that was nice. The applause was warm. But the thrill was somehow feeling the “too low” and then rising, unaccompanied by my conscious mind.
Such a mystery, this life










